https://yeh-chu-sheng-exhibitions.carrd.co 2025-11-03 daily 1.0 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/image02.jpg https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery01/603fc2ff.jpg 1.我在不同城市展覽時，更在意作品能否與當地的自然與生活經驗對話。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery01/72f09038.jpg 2.走到西班牙、比利時、韓國與中國的展場，作品要自己說話，而不是靠解說。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery01/3c63013a.jpg 3.在國際展覽中我學到：材料的真實與時間的痕跡，比風格更能被理解。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery01/33a0983b.jpg 4.海外的觀眾不一定懂中文，但能讀懂畫面裡的秩序與非秩序。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery01/a57250b8.jpg 5.我把海、河、種子等母題帶去不同國家的展間，討論人與自然的關係。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery01/c2aed19c.jpg 6.在北京、上海與台中的連續個展，提醒我以不同系列回應不同城市。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery01/b0eed27a.jpg 7.海外展覽讓我確定：抽象並非逃避現實，而是進入現實的另一條路。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery01/b5f5d12b.jpg 8.把作品帶出國門，我更在意環境議題的普遍性：海與河是共享的語言。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery01/646c3e17.jpg 9.當代性不在標籤，而在你如何活、如何感，這點在國際展最能驗證。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery02/c97fdd2a.jpg 10.作品離開語境仍能成立，才算站穩；這是每次海外展的自我檢驗。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/gallery02/8058f76e.jpg 11.一場好的海外展，會讓我帶回新的問題，而不是帶回口碑。 https://yeh-chu-sheng-exhibitions.carrd.co/assets/images/image01.jpg